ลักษณะสำคัญของพระพุทธรูปสมัยทวาราวด

Main characteristics of the modern Buddha tawaravadee is divided into 3 age:There are characteristics of the India Gupta and Gupta. Sometimes it is the influence of the omraodi on. Characteristics of a face, India There are no ray of light has been a Buddhist monk's robe, like a Buddhist monk's robe all wet. If a Buddha sitting in meditation with the conflicts in some old omraodi luam 14th 12.Developed from the first mixing indigenous influences and more Phra khanong a brace format. The big 5 is visible glands maybe mala with Lotus and Mala observe radial North short young. God baenkwang Pon was "nu (Chin) not sharp's nalat (forehead), narrow his big, thick lips, flat not sharp Nasik. God and his Majesty a large concentration of polishing is still there in the old omraodi luam c. 14th 13-15.Buddha images in this range is inspired by Khmer art, Khmer, due to start more influence in the reign of Angkor. About 15 of the Wadi baebotwan in this phase influence the Khmer art, Khmer influence their local loop or Thai lop buri Arts called confused like a quad face with polished smooth dimple meditation seat, etc. In addition to the Buddha and the Buddha's symbols were found which shows the inheritance concept art of ancient India before making an Idol as a man under the influence Greek art.

The main characteristics of the Buddha Dvaravati divided into three periods: the look of Indian Gupta and post-Gupta. Sometimes it's influence at Amravati. The Indian presence not look like flat radius robe robe wet. If Buddha is sitting cross-legged loosely around the Amravati last century. 12 developed the first model The indigenous influence is more mixed. His hair on a bracket. The Ektumala is a big Manu. Perhaps a radius Bawtom Ektumala over his face and short, flat, wide eyes bulging Prahnu (chin) bluff his forehead (frontal), narrow nose, thick lips, flat bluff big hands and big feet. Continue to sit cross-legged on the loose in Amravati between 13-15 century Buddhist statue in this period was influenced Khmer art. Because the more influential in the Cambodian capital city. Around the 15th century Dvaravati art. In this phase, thus influencing the sin of Cambodian or Khmer influence in Lop called mixed martial arts, such as the presence of a flat rectangular dimples, posture, etc. Moreover, it also found the statue of the Buddha. Which inherited the ancient Indian art before the idols of a man under the influence of Greek art.

An important characteristic of the Dvaravati period is divided into 3 era is

.The characteristics of Indian Gupta and after Gupta. Sometimes the influence of amaravadee with the band at Indian no radius เรียบเหมือน robe robe wet. If a seated Buddha will sit cross-legged, amaravadee loose.12
.Developed from the first by the native influence mixed more the eyebrows together to form a bracket. Warning as manu Bay. Maybe a radius asphyxia neonatorum over flat and short and wide flat eyes bulging, the I (Chin) ban the นลาฏ (forehead).Acceptor teapot big flat, the mouth, thick, his hands and feet. Still sit cross-legged loosely, amaravadee age about referable that 13-15
.Buddha in this period influenced Khmer. Due to the Khmer began to have more and more influence in modern capital city. About late 15 Arts แบบทวาร discussSuch as face is square. A dimple hunker down flat, etc. in addition to the Buddha images and also found a symbol of the Buddha.