The government of Jacques Santer, n

The government of Jacques Santer, now President of the Board of Directors of the Musée d'Art Moderne Grand-Duc Jean, provided the impetus for an ambitious cultural infrastructure programme during the years of economic boom. In the early 1990s, the government enlisted the design of this new museum to Sino-American architect Ieoh Ming Pei. Pei had previously built museums in Washington and Boston, and overseen the refurbishment of the Louvre in Paris and the entire Deutsches Historisches Museum. In 1997, the legislation for the Musée d'Art Moderne Grand-Duc Jean building project was officially adopted by the ministries of Erna Hennicot-Schoepges (Minister of Culture between 1995 - 2004, and Minister of Public Works from 1999 - 2004) and Robert Goebbels (Minister of Public Works from 1994 - 1999). Construction officially began on 22 January 1999. At the museum's opening in July 2006, the tutorial ministries were lead by François Biltgen (Minister for Culture, Higher Education and Research), Octavie Modert (Secretary of State for Culture, Higher Education and Research), and Claude Wiseler (Minister of Public Works).

Programming


Aims and objectives: The cultural project of Mudam is based on the conception of art seen at a poetical distance from the world. Its key focal points are freedom, innovation, criticality; none devoid of humour. The programme favours all vectors of expression, while questioning habits and representations. It aims to capture not only a way of contemporary thinking, but also the aesthetic language of an age to come.

Distinct areas of programming:
The Mudam Collection bares witness to contemporary creation in all its technical and aesthetic forms, while remaining open to presenting all other artistic disciplines: painting, drawing, sculpture, photography, as well as design, fashion, graphic design and new media. Resolutely anchored in the contemporary, the collection endorses poetic variations from the great masters such as Bernd and Hilla Becher, Daniel Buren, Blinky Palermo, and Cy Twombly. The museum's interior and exterior furniture was entrusted to artists and designers including Erwan and Ronan Bouroullec, Martin Szekely, Konstantin Grcic, Bert Theis, Andrea Blum and David Dubois.

Number of projects exhibited yearly (total: 4+ (estimate)

Most outstanding projects of the last 3-5 years: Michel Majerus, Tomorrow Now - when design meets science fiction;
Portugal Agora, á propos des lieux d'origine;
ELO - Inner Exile, Outer Limits;
Grayson Perry, My Civilisation;
China Power Station: Part III
The Space of Words
Brave New World (from the perspective of Mudam Collection)

Public programming


Distinct areas of programming: Mudam Publics' mission is to serve as the museum's communication platform, to heighten awareness of contemporary art within a broad public and to create accessible art projects. The transmission of artistic contents to young and older publics is offered through specific educational programmes for each exhibition. The educational programme is put together by Mudam Publics in collaboration with partners who are passionate about art history and its transmission.

Program strands: Mudam Studio is a project by artist Tobias Putrih. Adjustable to various educational activities and open to the general public, this space is part of the permanent exhibition, as well as a venue for various workshops or meetings and functioning as a documentation center in constant activity, reflecting the programme of the museum.

Mudam Auditorium is an exhibition space (used for screening audio-visual works of art that are part of the current exhibition), but also a meeting place that hosts specific events such as lectures on art, design, and special screenings.

The Medialab was conceived by Konstantin Grcic and Nitzan Cohen. This original installation with multiple screens, is used to show, in turn, interviews with artists and various other educational projects.

Number of activities by type per year: 30+ (estimation)

Educational Programming


Distinct areas of programming: Art Freak, a program for 12 to 19 year olds, connects young people with contemporary art, providing the opportunity to discover artwork and meet artists, participate in workshops, talk with professionals from the art world, look behind the scenes of the museum and learn to guide friends through the exhibitions.

Mudamini, a program for 6 to 12 year olds, includes special visits (Mudamini Tours); Workshops (Mudamini Workshops); Mudam Go! to discover the works of art through play; Mu, the mascot; Mini Mu on Facebook; and Mu images to colour in.

Academic: School tours: Mudam invites primary and secondary school classes to visit the museum during the school year and choose to focus on one theme found in the exhibitions.

Education Box: The "Education Box" offers resources for teachers and their classes to discover the exhibition on their own. They can be downloaded in French and German, or borrowed directly from Mudam Studio.

Continuing education for teachers: Connaissances visuelles (visual knowledge) is a continuing education course offered to teachers and organised by Mudam, in collaboration with the Ministry of National Education and Professional Development, together with the Service de Coordination de la Recherche et de l'Innovation pédagogiques et technologiques (Coordination service for research and pedagogical and technological innovation, SCRIPT).

Mudam and the University of Luxembourg; Teacher training seminars:
Students attend four seminars at Mudam per training cycle (5 semesters / 15 months / from January to June) on workshop teaching. Each seminar begins or ends with a meeting. The seminars form part of the training of the students. The objective of these meetings is to stimulate thought about more experimental forms of teaching, in direct interaction with artworks and artists, and to prepare future teachers to open up their school teaching to exchanges with current art and partners from outside school.

Publishing: Mudam began its publishing activities in 2003. It produces catalogues, monographs and artist's books, as well as mini-guides for exhibitions.

Number of activities by type per year: 50+

Spaces


Surface area/capacity: Net surface: 10.000 m2

Type: Exhibition space: 4,500 m2

Administrative structure / Management


Managing organization: Created in 1998, the Fondation Musée d'Art Moderne Grand-Duc Jean is an organisation formed under civil law whose main patron is the State of Luxembourg. The Foundation is administered by a Board of Directors chaired by Jacques Santer. Its mission is to create and manage the future Musée d'Art Moderne Grand-Duc Jean designed by Sino-American architect Ieoh Ming Pei.

With roots in the civil and public society, the members of the board were selected for their action in favour of contemporary art in Luxembourg and their role in the public structure (cultural, administrative and political) to develop the project of the Mus仔 dﾕArt Moderne Grand-Duc Jean. Their presence and their action were and are essential for the development of the Museum.

President: Jacques Santer (Honorary Prime Minister and President of the Board)

Director: Enrico Lunghi

Organizer/ Head curator: Clément Minighetti

Public: State funding in 2009 - 6.484.848 € (of which 620.000 € for Mudam Collection only)

ผลลัพธ์ (อังกฤษ) 1:

The government of Jacques Santer, now President of the Board of Directors of the Musée d'Art Moderne Grand-Duc Jean, provided the impetus for an ambitious cultural infrastructure programme during the years of economic boom. In the early 1990s, the government enlisted the design of this new museum to Sino-American architect Ieoh Ming Pei. Pei had previously built museums in Washington and Boston, and overseen the refurbishment of the Louvre in Paris and the entire Deutsches Historisches Museum. In 1997, the legislation for the Musée d'Art Moderne Grand-Duc Jean building project was officially adopted by the ministries of Erna Hennicot-Schoepges (Minister of Culture between 1995 - 2004, and Minister of Public Works from 1999 - 2004) and Robert Goebbels (Minister of Public Works from 1994 - 1999). Construction officially began on 22 January 1999. At the museum's opening in July 2006, the tutorial ministries were lead by François Biltgen (Minister for Culture, Higher Education and Research), Octavie Modert (Secretary of State for Culture, Higher Education and Research), and Claude Wiseler (Minister of Public Works).ProgrammingAims and objectives: The cultural project of Mudam is based on the conception of art seen at a poetical distance from the world. Its key focal points are freedom, innovation, criticality; none devoid of humour. The programme favours all vectors of expression, while questioning habits and representations. It aims to capture not only a way of contemporary thinking, but also the aesthetic language of an age to come.Distinct areas of programming: The Mudam Collection bares witness to contemporary creation in all its technical and aesthetic forms, while remaining open to presenting all other artistic disciplines: painting, drawing, sculpture, photography, as well as design, fashion, graphic design and new media. Resolutely anchored in the contemporary, the collection endorses poetic variations from the great masters such as Bernd and Hilla Becher, Daniel Buren, Blinky Palermo, and Cy Twombly. The museum's interior and exterior furniture was entrusted to artists and designers including Erwan and Ronan Bouroullec, Martin Szekely, Konstantin Grcic, Bert Theis, Andrea Blum and David Dubois.Number of projects exhibited yearly (total: 4+ (estimate)Most outstanding projects of the last 3-5 years: Michel Majerus, Tomorrow Now - when design meets science fiction; Portugal Agora, á propos des lieux d'origine; ELO - Inner Exile, Outer Limits; Grayson Perry, My Civilisation; China Power Station: Part III The Space of Words Brave New World (from the perspective of Mudam Collection)Public programmingDistinct areas of programming: Mudam Publics' mission is to serve as the museum's communication platform, to heighten awareness of contemporary art within a broad public and to create accessible art projects. The transmission of artistic contents to young and older publics is offered through specific educational programmes for each exhibition. The educational programme is put together by Mudam Publics in collaboration with partners who are passionate about art history and its transmission.Program strands: Mudam Studio is a project by artist Tobias Putrih. Adjustable to various educational activities and open to the general public, this space is part of the permanent exhibition, as well as a venue for various workshops or meetings and functioning as a documentation center in constant activity, reflecting the programme of the museum.Mudam Auditorium is an exhibition space (used for screening audio-visual works of art that are part of the current exhibition), but also a meeting place that hosts specific events such as lectures on art, design, and special screenings.The Medialab was conceived by Konstantin Grcic and Nitzan Cohen. This original installation with multiple screens, is used to show, in turn, interviews with artists and various other educational projects.Number of activities by type per year: 30+ (estimation)Educational ProgrammingDistinct areas of programming: Art Freak, a program for 12 to 19 year olds, connects young people with contemporary art, providing the opportunity to discover artwork and meet artists, participate in workshops, talk with professionals from the art world, look behind the scenes of the museum and learn to guide friends through the exhibitions.Mudamini, a program for 6 to 12 year olds, includes special visits (Mudamini Tours); Workshops (Mudamini Workshops); Mudam Go! to discover the works of art through play; Mu, the mascot; Mini Mu on Facebook; and Mu images to colour in.Academic: School tours: Mudam invites primary and secondary school classes to visit the museum during the school year and choose to focus on one theme found in the exhibitions.Education Box: The "Education Box" offers resources for teachers and their classes to discover the exhibition on their own. They can be downloaded in French and German, or borrowed directly from Mudam Studio.Continuing education for teachers: Connaissances visuelles (visual knowledge) is a continuing education course offered to teachers and organised by Mudam, in collaboration with the Ministry of National Education and Professional Development, together with the Service de Coordination de la Recherche et de l'Innovation pédagogiques et technologiques (Coordination service for research and pedagogical and technological innovation, SCRIPT).Mudam and the University of Luxembourg; Teacher training seminars: Students attend four seminars at Mudam per training cycle (5 semesters / 15 months / from January to June) on workshop teaching. Each seminar begins or ends with a meeting. The seminars form part of the training of the students. The objective of these meetings is to stimulate thought about more experimental forms of teaching, in direct interaction with artworks and artists, and to prepare future teachers to open up their school teaching to exchanges with current art and partners from outside school.Publishing: Mudam began its publishing activities in 2003. It produces catalogues, monographs and artist's books, as well as mini-guides for exhibitions.Number of activities by type per year: 50+SpacesSurface area/capacity: Net surface: 10.000 m2Type: Exhibition space: 4,500 m2Administrative structure / ManagementManaging organization: Created in 1998, the Fondation Musée d'Art Moderne Grand-Duc Jean is an organisation formed under civil law whose main patron is the State of Luxembourg. The Foundation is administered by a Board of Directors chaired by Jacques Santer. Its mission is to create and manage the future Musée d'Art Moderne Grand-Duc Jean designed by Sino-American architect Ieoh Ming Pei.With roots in the civil and public society, the members of the board were selected for their action in favour of contemporary art in Luxembourg and their role in the public structure (cultural, administrative and political) to develop the project of the Mus仔 dユArt Moderne Grand-Duc Jean. Their presence and their action were and are essential for the development of the Museum.President: Jacques Santer (Honorary Prime Minister and President of the Board)Director: Enrico LunghiOrganizer/ Head curator: Clément MinighettiPublic: State funding in 2009 - 6.484.848 € (of which 620.000 € for Mudam Collection only)

ผลลัพธ์ (อังกฤษ) 2:

The government of Jacques Santer, now President of the Board of Directors of the Musée d'Art Moderne Grand-Duc Jean, provided the impetus for an ambitious cultural infrastructure programme during the years of economic boom. In the early 1990s, the government enlisted the design of this new museum to Sino-American architect Ieoh Ming Pei. Pei had previously built museums in Washington and Boston, and overseen the refurbishment of the Louvre in Paris and the entire Deutsches Historisches Museum. In 1997, the legislation for the Musée d'Art Moderne Grand-Duc Jean building project was officially adopted by the ministries of Erna Hennicot-Schoepges (Minister of Culture between 1995 - 2004, and Minister of Public Works from 1999 - 2004) and Robert. Goebbels (Minister of Public Works from 1994 - 1999). Construction officially began on 22 January 1999. At the museum's opening in July 2006, the tutorial ministries were lead by François Biltgen (Minister for Culture, Higher Education and Research), Octavie Modert (Secretary of State for Culture, Higher Education and Research),. and Claude Wiseler (Minister of Public Works). Programming Aims and objectives: The Cultural Project of Mudam is based on the conception of Art seen at a Distance from the World Poetical. Its key focal points are freedom, innovation, criticality; none devoid of humour. The programme favours all vectors of expression, while questioning habits and representations. Aims to Capture not only a Way of Contemporary thinking, but also the Aesthetic language of an Age to Come. Distinct areas of programming: The Mudam Collection bares Witness to Contemporary Creation in all its Technical and Aesthetic Forms, while remaining open to presenting all. other artistic disciplines: painting, drawing, sculpture, photography, as well as design, fashion, graphic design and new media. Resolutely anchored in the contemporary, the collection endorses poetic variations from the great masters such as Bernd and Hilla Becher, Daniel Buren, Blinky Palermo, and Cy Twombly. The Museum's Interior and exterior Furniture was entrusted to Artists and Designers including Erwan and Ronan Bouroullec, Martin Szekely, Konstantin Grcic, Bert Theis, Andrea Blum and David Dubois. Number of Projects exhibited yearly (total: 4+ (Estimate) Most outstanding Projects of. the last 3-5 years: Michel Majerus, Tomorrow Now - when Design Meets Science fiction; Portugal Agora, á propos des Lieux d'origine; ELO - Inner Exile, Outer Limits; Grayson Perry, My Civilisation; China Power Station: Part III. the Space of Words Brave New World (from the Perspective of Mudam Collection) Public programming Distinct areas of programming: Mudam Publics' Mission is to serve as the Museum's Communication Platform, to heighten awareness of Contemporary Art Within a Broad Public and to create accessible Art. Projects. The Transmission of artistic contents to Young and older PUBLICS is offered Through specific Educational programs for each Exhibition. The Educational program is Put Together by Mudam Publics in Collaboration with Partners Who are passionate About Art History and its Transmission. Program strands: Mudam Studio. is a project by artist Tobias Putrih. Adjustable to Various Educational activities and open to the general Public, this Space is Part of the Permanent Exhibition, as well as a Venue for Various workshops or meetings and functioning as a Documentation Center in Constant Activity, Reflecting the program of the Museum. Mudam Auditorium. is an Exhibition Space (used for Screening audio-Visual Works of Art that are Part of the current Exhibition), but also a Meeting Place that Hosts specific events such as Lectures on Art, Design, and special screenings. The Medialab was conceived by Konstantin. Grcic and Nitzan Cohen. This Original Installation with multiple screens, is used to Show, in turn, Interviews with Artists and Various Other Educational Projects. Number of activities per year by Type: 30+ (estimation) Educational Programming Distinct areas of programming: Art Freak, a Program for. 12 to 19 year olds, connects young people with contemporary art, providing the opportunity to discover artwork and meet artists, participate in workshops, talk with professionals from the art world, look behind the scenes of the museum and learn to guide friends through the exhibitions. . Mudamini, 6 to 12 year olds for a Program, includes special visits (Mudamini Tours); Workshops (Mudamini Workshops); Mudam Go! to discover the works of art through play; Mu, the mascot; Mini Mu on Facebook; and Mu images to Colour in. Academic: School Tours: Mudam invites primary and Secondary school classes to Visit the Museum during the school year and choose to Focus on one Theme Found in the exhibitions. Education Box: The "Education Box" offers Resources for. teachers and their classes to discover the exhibition on their own. They Can be Downloaded in French and German, or borrowed directly from Mudam Studio. Continuing Education for teachers: Connaissances Visuelles (Visual Knowledge) is a Continuing Education course offered to teachers and organized by Mudam, in Collaboration with the Ministry of National Education and Professional. Development, Service de Coordination de la Together with the Recherche et de l'Innovation et Pédagogiques Technologiques (Coordination Service for Research and Technological Innovation and pedagogical, SCRIPT). Mudam and the University of Luxembourg; Teacher Training Seminars: Seminars Four Students attend at Mudam per Training Cycle (5 semesters / 15 months / from January to June) Workshop on teaching. Each seminar begins or ends with a meeting. The seminars form part of the training of the students. The Objective of these meetings is to stimulate thought About more Experimental Forms of teaching, in Direct Interaction with artworks and Artists, and to Prepare Future teachers to open up their school teaching to Exchanges with current Art and Partners from Outside school. Publishing: Mudam began. Publishing its activities in 2003. It produces Catalogues, monographs and Artist's Books, as well as Mini-Guides for exhibitions. Number of activities per year by Type: 50+ Spaces Surface Area / capacity: Net surface: 10.000 m2 Type: Exhibition Space:. 4,500 m2 structure Administrative / Management Managing Organization: Created in 1 998, the Musée d'Art Moderne Grand-Duc Fondation Jean is an organization formed under Civil Law Main whose patron is the State of Luxembourg. The Foundation is administered by a Board of Directors chaired by Jacques Santer. Its Mission is to create Musée d'Art Moderne and Manage the Future Grand-Duc Jean designed by Sino-American Architect Ieoh Ming Pei. With Roots in the Civil and Public Society, the Members of the board were selected for their Action in favor of. contemporary art in Luxembourg and their role in the public structure (cultural, administrative and political) to develop the project of the Mus仔dユArt Moderne Grand-Duc Jean. Their Presence and their Essential for the Development Action were and are of the Museum. President: Jacques Santer (Prime Minister and Honorary President of the Board) Director: Enrico Lunghi Organizer / Head Curator: Clément Minighetti Public: State funding in 2009 - 6.484. 848 € (of which 620.000 € for Mudam Collection only).

ผลลัพธ์ (อังกฤษ) 3:

The government of Jacques Santer now President, of the Board of Directors of the Mus é e d 'Art Moderne, Grand-Duc Jean provided. The impetus for an ambitious cultural infrastructure programme during the years of economic boom. In the, early 1990s the. Government enlisted the design of this new museum to Sino-American architect Ieoh Ming Pei. Pei had previously built museums. In Washington, and BostonAnd overseen the refurbishment of the Louvre in Paris and the entire Deutsches Historisches Museum. In 1997 the legislation,, For the Mus é e d 'Art Moderne Grand-Duc Jean building project was officially adopted by the ministries of Erna Hennicot-Schoepges. (Minister of Culture between, 1995 - 2004And Minister of Public Works from 1999 - 2004) and Robert Goebbels (Minister of Public Works from 1994 - 1999). Construction. Officially began on 22 January 1999. At the museum 's opening in July 2006 the tutorial, ministries were lead by Fran ç OIS. Biltgen (Minister, for Culture Higher Education and Research), Octavie Modert (Secretary of State for Culture Higher Education,, And Research),And Claude Wiseler (Minister of Public Works).




Programming Aims and objectives: The cultural project of Mudam is based. On the conception of art seen at a poetical distance from the world. Its key focal points are freedom innovation criticality;,,, None devoid of humour. The programme favours all vectors of expression while questioning, habits and representations.It aims to capture not only a way of, contemporary thinking but also the aesthetic language of an age to come.

Distinct. Areas of programming:
The Mudam Collection bares witness to contemporary creation in all its technical and, aesthetic forms. While remaining open to presenting all other artistic disciplines: painting drawing sculpture,,,, photography as well as. ,, design fashionGraphic design and new media. Resolutely anchored in the contemporary the collection, endorses poetic variations from the. Great masters such as Bernd and Hilla, Buren Becher Daniel, Palermo Blinky, Cy and Twombly. The Museum 's interior and exterior. Furniture was entrusted to artists and designers including Erwan and Ronan Bouroullec Martin Szekely Grcic Konstantin,,,, Bert, TheisAndrea Blum and David Dubois.

Number of projects exhibited yearly (total: 4 (estimate)

Most outstanding projects of. The last 3-5 years: Michel, Majerus Tomorrow Now - when design meets science fiction;
Portugal Agora and propos, Des lieux. D 'origine;
ELO - Inner, Exile Outer Limits;
Grayson, Perry My Civilisation;
China Power Station: Part III
The Space. Of Words
.Brave New World (from the perspective of Mudam Collection)




Public programming Distinct areas of programming: Mudam Publics'. Mission is to serve as the museum 's communication platform to heighten, awareness of contemporary art within a broad public. And to create accessible art projects.The transmission of artistic contents to young and older publics is offered through specific educational programmes for. Each exhibition. The educational programme is put together by Mudam Publics in collaboration with partners who are passionate. About art history and its transmission.

Program strands: Mudam Studio is a project by artist Tobias Putrih.Adjustable to various educational activities and open to the general public this space, is part of the, permanent exhibition. As well as a venue for various workshops or meetings and functioning as a documentation center in, constant activity reflecting. The programme of the museum.

.Mudam Auditorium is an exhibition space (used for screening audio-visual works of art that are part of the current exhibition),. But also a meeting place that hosts specific events such as lectures, on art design and special, screenings.

The Medialab. Was conceived by Konstantin Grcic and Nitzan Cohen. This original installation with multiple screens is used to show in,,, Turn.Interviews with artists and various other educational projects.

Number of activities by type per year: 30 (estimation)

Educational. Programming


Distinct areas of programming: Art Freak a program, for 12 to 19, year olds connects young people with contemporary. Art providing the, opportunity to discover artwork and meet artists participate in workshops,,Talk with professionals from the art world look behind, the scenes of the museum and learn to guide friends through the. Exhibitions.

Mudamini a program, for 6 to 12, year olds includes special visits (Mudamini Tours); Workshops (Mudamini Workshops);? Mudam Go! To discover the works of art through play; Mu the, mascot; Mini Mu on Facebook; and Mu images to colour in.

Academic:? School tours:Mudam invites primary and secondary school classes to visit the museum during the school year and choose to focus on one. Theme found in the exhibitions.

Education Box: The "Education Box" offers resources for teachers and their classes to discover. The exhibition on their own. They can be downloaded in French and German or borrowed, directly from Mudam Studio.

Continuing. Education for teachers:Connaissances Visuelles (visual knowledge) is a continuing education course offered to teachers and organised, by Mudam. In collaboration with the Ministry of National Education and Professional Development together with, the Service de Coordination. De la Recherche et de l 'Innovation P é dagogiques et technologiques (Coordination service for research and pedagogical and. Technological, innovationSCRIPT).

Mudam and the University of Luxembourg; Teacher training seminars:
Students attend four seminars at Mudam per. Training cycle (5 semesters / 15 months / from January to June) on workshop teaching. Each seminar begins or ends with a. Meeting. The seminars form part of the training of the students.The objective of these meetings is to stimulate thought about more experimental forms, of teaching in direct interaction. With artworks, and artists and to prepare future teachers to open up their school teaching to exchanges with current art. And partners from outside school.

Publishing: Mudam began its publishing activities in 2003. It, produces catalogues monographs. And artist ', s booksAs well as mini-guides for exhibitions.

Number of activities by type per year: 50




Spaces Surface area / capacity: Net. Surface: 10.000 M2

Type: Exhibition space: 4 500, M2

Administrative structure / Management


Managing organization: Created. In 1998 the Fondation, Mus é e d 'Art Moderne Grand-Duc Jean is an organisation formed under civil law whose main patron is. The State of Luxembourg.The Foundation is administered by a Board of Directors chaired by Jacques Santer. Its mission is to create and manage the. Future Mus é e d 'Art Moderne Grand-Duc Jean designed by Sino-American architect Ieoh Ming Pei.

With roots in the civil and. Public, societyThe members of the board were selected for their action in favour of contemporary art in Luxembourg and their role in the. Public structure (cultural administrative and, political) to develop the project of the Mus 仔 D ﾕ Art Moderne Grand-Duc, Jean. Their presence and their action were and are essential for the development of the Museum.

President:Jacques Santer (Honorary Prime Minister and President of the Board)

Director: Enrico Lunghi

Organizer / Head curator:? Cl é ment Minighetti

Public: State funding in 2009 - 6.484.848 euros (of which 620.000 euros for Mudam Collection only)
.