History of dying cloth.The practice has been dying on fabrics made of almost all parts of the world. History of fabric dying have started working together, the ancient Asian expansion into Central Europe, India to Malaysia and across to Africa. Weaving with antique, but are also found in ancient Chinese, come from their caravan in the past as well as the source of this era began with? In North America, started dying from the people of Colombia in the first generation to make a circle and a rectangle filled with the color scheme simple is popular in Guatemala Mexico Peru daily La via Paris and Jane Te na sensitivity. In South America, and the people of India Red.How to make a cloth dying may be developed, better in India before the beginning of the country.To come to the country Japan The clothes of the people showed up on the walls and ceiling of the watercolor painting cave achan is a white circle, similar to the shows is like making a pie, which is known as the tail in India that prang mind.Fabric dying in Thailand and Cambodia, the country is dying to see the two countries originates from this country to Indonesia. The method is also applied in the dying.Finest silk decoration to cover the shoulders a shawl and the Group. For the people of Java and Bali, femaleThe dying in each country reflects different design and colors that manufacturers can plan and design of the fabric to produce out to the world. In a different time period, based on the format of (2544 (2001) Shri Sai thong yupin. 11-1:5).The concept of and importanceKnowledge about the art of dyeing the fabric comes with a color taken from nature, not something weird or just discovered an innovative knowledge, wisdom, but it has been discovered and broadcast comes from generation to generation since it can be seen that the era of Buddha's owner, with a.Add all of the white bangsukun fabric used for wrapping the body wash and dye colors come naturally to a fabric of the same chiwon apparel, so the authors see that wisdom to remove fabric dye with natural color and not the wisdom of the people of the House are rustic, but the wisdom that comes from the concept.Of the Buddha, in which to learn and perform the activity is the same as we learn and practice Dhamma with, for example, we will have to concentrate to get clues from men's clothes or keep taking nature and rely on themselves, or do not follow the vanity of flow noise than necessary to make a.Dying fabric used as a pride of place and people are wearing because it works as one of the world's art, unique, and no one (yet). With us as a major protagonist artists of color derived from nature will have the ability to heal diseases, sore to dye fabric, dyed red Fang. But it is art decreased currently missing from our society and without value because of the modern fashion with a reach throughout the. Buy easily and respond quickly. In all such activities, yet so we will wait for these artists and contemporary art ideology SMEs to community partners. Temporary passage from (http://sodeice.blogspot.com).An important principle in dying cloth.An important principle in fabric dying is the best that has been tied to a stick color. The remaining part or parts that are not tied to the son who is addicted to. Tying a sasi 7. Characteristics of mud.1. of the strong tied In the first case, the excessive mud until no color penetrates into the area. The result is that the former has a white fabric may have dye penetrates into this pattern is slightly less. The second case, too little rest areas, mud-colored dyes are almost full of plots. This little pattern occurred as well, but almost all the plots with dye.The third section of the same case, but this is not equivalent to a bundle of tightly packed mud because mud is not the color, if not tightly.It will infiltrate into the fat.2. the use in the clutch to make cloth tied tightly and pattern based on the template used to clutch. Therefore, a very important one which depends on the page, designed to be used with clutch.3. consistency of dye The regular fabric dye stick depends on the temperature of the heat.While bringing down the fabric dyeing and fabric to the fabric almost always of khayam dyed one and a half hours before.To soak the cloth ("how to make a cloth dying": 3 0 July 2552 (2009))The properties of the fabric.1. the reaction of acid and alkali against fibers to bleach or dye decoration.To do well, it depends on the reaction of the acid or alkaline substances are used to it.2. absorb dyes fibers will absorb dye, more or less, that is where the fiber molecules that absorb the color space enough to farm.3. reactions to the bleach The fibers, resistant to bleach linen cotton blends well with the Centre. In a particular directory update and other synthetic4. connect the thermal reaction heat resistant fibre can be high, as are the components of the.Fiber itself. Natural heat resistance better than synthetic fiber.5. the absorbed moisture. The moisture is important for health and pleasure.The wearer cleaning. Natural color.From evidence found in textile art photos. Mental activity phanang leather cover. In the ancient era, it was found that dye colors are derived from natural pigments. A large group is a dye that is derived from a natural plant dyes in dyeing it.Natural pigments derived from plants: the roots, barks, flowers, seed the naughty early results that each type of tree, a different tone depending on the properties of plants which are quoted as examples as part. Is as follows: -Red derived from root, yo. Naughty Fang khrang anchor bark -Indigo blue was. -Yellow from turmeric mulberry trees, jackfruit, naughty Marigold flower. -Color light from pomegranate Peel effect Tong early Indigo the handle place the peel and Maurice vibhishana. Turmeric powder the cat leaves and a mild pineapple. -Black result maklua Effects from the effects and small enclosures-Orange from the root bark and flowers by kannika (an orange bulb). -Yellow-orange is derived from safflower.-Brown from the ball, WA-Pink cottages.
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