Klutsis worked in a variety of expe

Klutsis worked in a variety of experimental media. He liked to use propaganda as a sign or revolutionary background image. His first project of note, in 1922, was a series of semi-portable multimedia agitprop kiosks to be installed on the streets of Moscow, integrating "radio-orators", film screens, and newsprint displays, all to celebrate the fifth anniversary of the Revolution. Like other Constructivists he worked in sculpture, produced exhibition installations, illustrations and ephemera.
But Klutsis and Kulagina are primarily known for their photo montages. The names of some of their best posters, like "Electrification of the whole country" (1920), "There can be no revolutionary movement without a revolutionary theory" (1927), and "Field shock workers into the fight for the socialist reconstruction" (1932), belied the fresh, powerful, and sometimes eerie images. For economy they often posed for, and inserted themselves into, these images, disguised as shock workers or peasants. Their dynamic compositions, distortions of scale and space, angled viewpoints and colliding perspectives make them perpetually modern.
Klutsis is one of four artists with a claim to having invented the subgenre of political photo montage in 1918 (along with the German Dadaists Hannah Höch and Raoul Hausmann, and the Russian El Lissitzky).[citation needed] He worked alongside Lissitzky on the Pressa International exhibition in Cologne.[3]

ผลลัพธ์ (อังกฤษ) 2:

Klutsis worked in a variety of experimental media. He liked to use propaganda as a sign or revolutionary background image. His first project of note, in 1922, was a series of semi-portable multimedia agitprop kiosks to be installed on the streets of Moscow, integrating "radio-orators", film screens, and newsprint displays, all to celebrate the fifth anniversary of the. Revolution. He worked in Other constructivists like sculpture, produced Installations Exhibition, Illustrations and ephemera.
But Klutsis and Kulagina are primarily Known for their Photo montages. The names of some of their best posters, like "Electrification of the whole country" (1920), "There can be no revolutionary movement without a revolutionary theory" (1927), and "Field shock workers into the fight for the socialist reconstruction". (1932), belied the fresh, powerful, and sometimes eerie images. For economy they often posed for, and inserted themselves into, these images, disguised as shock workers or peasants. Their Dynamic compositions, distortions of scale and Space, angled viewpoints and colliding perspectives Make them Perpetually Modern.
Klutsis is one of Four Artists with a claim to having invented the subgenre of Political Photo montage in 1,918th (along with the German Dadaists Hannah hoch and Raoul. Hausmann, and the Russian El Lissitzky). [citation needed] He worked alongside Lissitzky on the Pressa International exhibition in Cologne. [3].

ผลลัพธ์ (อังกฤษ) 3:

Klutsis worked in a variety of experimental media. He liked to use propaganda as a sign or revolutionary background, image. His first project, of note in 1922 was a, series of semi-portable multimedia agitprop kiosks to be installed on the streets. Of Moscow integrating ", radio-orators", film screens and displays, newsprint, to all celebrate the fifth anniversary of. The Revolution. Like other Constructivists he worked in sculpture produced exhibition installations illustrations and,,, Ephemera.But Klutsis and Kulagina are primarily known for their photo montages. The names of some of their, best posters like Electrification. " Of the whole country "(1920)," There can be no revolutionary movement without a revolutionary theory "(1927), and Field." Shock workers into the fight for the socialist reconstruction "(1932), belied, the fresh powerful and sometimes, eerie images.? For economy they often, posed for and inserted themselves, images into these, as disguised shock workers or peasants. Their. Dynamic compositions distortions of, scale and space angled viewpoints, and colliding perspectives make them perpetually. Modern.Klutsis is one of four artists with a claim to having invented the subgenre of political photo montage in 1918 (along with. The German Dadaists Hannah H ö CH and Raoul Hausmann and the, Russian El Lissitzky). [citation needed] He worked alongside. Lissitzky on the Pressa International exhibition in Cologne 3. [].