Throughout all the, early controversy Richard R. Bach who had, organized the.1926 traveling Museum exhibition of items from the 1925, Exposition Internationale played the role of Modernism ', s protector. Rushing into print whenever necessary to explain the inexperience and youthful excesses of his protege. In 1928 for example,,, Pointing out the disparity of quality evident in the exhibits by local and foreign entrants at the Macy s International. ' Exhibition of Art, in Industry he wrote, "To compare the American and the foreign rooms is we hope, forbidden for this,,, Is something we should not like to do; one cannot compare a youth of sixteen with a man of forty-five. "18 A year later during the, Industrial Arts exhibition at the Metropolitan Museum, of Art he again defended the new movement:
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