The native ISO of this camera is 40

The native ISO of this camera is 400. Motion picture film DPs will feel right at home with ISO 400 and 800. DSLR users will probably run a mile but they shouldn’t do. It’s a myth you can’t do good low light stuff with this camera. On the Berlin streets at night I was able to shoot at F2.0 and ISO 400 and it was fine. Very silky smooth, no noise. It’s only when you try and lift the shadows dramatically from ISO 400 to ISO 1600 where you get problems, mainly with fixed pattern noise. The solution if you desperately need to shoot ISO 1600 with this cameras is to apply lots of noise reduction in Resolve 10 and downsample to 1080p, then you can just about get away with it. 4K has plenty of detail to spare over 1080p so if some of it is smudged away you will not notice for delivering HD content. If you look at the 4K image up close though, it is quite noisy even at ISO 800, but ISO 400 is silky and smooth. The lack of higher sensitivities do affect how high a shutter speed you can use in dark conditions and how much you can stop down for manageable focus.

Meanwhile in good light during the day you will need those NDs because the shutter doesn’t go higher than 45 degrees which is around 1/240 max in 30p mode. I often don’t mind the look of high shutter speeds actually, so it would have been nice to have up to 1/4000 for emergencies or when you don’t want to lug a matte box around. Vari-NDs I am not a huge fan of at the moment because they soften the image, knock colour accuracy off and change reflective surfaces due to the polarising effect (particularly noticeable with cars, rivers, etc.) leading to inconsistencies from shot to shot. A word of warning – don’t be tempted to shoot at ISO 800 with NDs like on the BMCC, it will be noisy due to underexposing and the camera applying a lift for the ISO 800.

The image is not entirely free of moire and aliasing. I don’t think the camera has a filter. That’s a big shame in my view. With the new 4K sensor you don’t see it as regularly as on the Blackmagic Cinema Camera nor is it anywhere near as bad as on many DSLRs, but it’s there! Very fine fabrics especially.

Dynamic range is not THAT far off the Blackmagic Cinema Camera so it’s a cinematic image, but at least until the raw firmware update comes out you will really need to get your exposure absolutely spot on with the Production Camera. Highlights can be prone to a steep roll off like the Sony FS100 and burn suddenly.

ผลลัพธ์ (อังกฤษ) 2:

The native ISO of this camera is 400. Motion picture film DPs will feel right at home with ISO 400 and 800. DSLR users will probably run a mile but they should not do. It's a myth you can not do good low light stuff with this camera. On the Berlin streets at night I was able to shoot at F2.0 and ISO 400 and it was fine. Very silky smooth, no noise. It's only when you try and lift the shadows dramatically from ISO 400 to ISO 1600 where you get problems, mainly with fixed pattern noise. The solution if you desperately need to shoot ISO 1600 with this cameras is to apply lots of noise reduction in Resolve 10 and downsample to 1080p, then you can just about get away with it. 4K has plenty of detail to spare over 1080p so if some of it is smudged away you will not notice for delivering HD content. If you look at the 4K image up close though, it is quite noisy even at ISO 800, but ISO 400 is silky and smooth. Lack of Higher sensitivities do affect the How High Can You use a Shutter speed conditions in Dark and How You Can Stop down for much manageable Focus. Meanwhile in the Day You Will Need good Light during those Nds because the Shutter Go Higher than does not. 45 degrees which is around 1/240 max in 30p mode. I often do not mind the look of high shutter speeds actually, so it would have been nice to have up to 1/4000 for emergencies or when you do not want to lug a matte box around. Vari-NDs I am not a huge fan of at the moment because they soften the image, knock colour accuracy off and change reflective surfaces due to the polarising effect (particularly noticeable with cars, rivers, etc.) leading to inconsistencies from shot to shot. . A Word of warning - do not be tempted to shoot at ISO 800 with Nds like on the BMCC, Will it be Underexposing Noisy Due to the Camera and a lift for applying the ISO 800. The image is not entirely free of aliasing and Moire. . I do not think the camera has a filter. That's a big shame in my view. With the new 4K sensor you do not see it as regularly as on the Blackmagic Cinema Camera nor is it anywhere near as bad as on many DSLRs, but it's there! Very Fine Fabrics especially. Dynamic Range is not the Blackmagic Cinema Camera THAT Far off so it's a cinematic image, but at Least until the firmware update comes out RAW Will You Really Need to Get your exposure absolutely spot on with the Camera Production. Highlights can be prone to a steep roll off like the Sony FS100 and burn suddenly.

ผลลัพธ์ (อังกฤษ) 3:

The native ISO of this camera is 400. Motion picture film DPs will feel right at home with ISO 400 and 800. DSLR users. Will probably run a mile but they shouldn t do. '' It s a myth you can 't do good low light stuff with this camera. On the Berlin. Streets at night I was able to shoot at F2.0 and ISO 400 and it was fine. Very, silky smooth no noise. It s only when you. ' Try and lift the shadows dramatically from ISO 400 to ISO 1600 where you get problems mainly with, fixed pattern noise.? The solution if you desperately need to shoot ISO 1600 with this cameras is to apply lots of noise reduction in Resolve 10 and. Downsample to 1080p then you, can just about get away with it. 4K has plenty of detail to spare over 1080p so if some of. It is smudged away you will not notice for delivering HD content. If you look at the 4K image up close though it is, quite. Noisy even at, ISO 800 but ISO 400 is silky and smooth. The lack of higher sensitivities do affect how high a shutter speed. You can use in dark conditions and how much you can stop down for manageable focus.Meanwhile in good light during the day you will need those NDs because the shutter doesn 't go higher than 45 degrees which. Is around 1 / 240 Max in 30p mode. I often don 't mind the look of high shutter, speeds actually so it would have been nice. To have up to 1 / 4000 for emergencies or when you don 't want to lug a matte box around. Vari-NDs I am not a huge fan of at. The moment because they soften the image knock colour, accuracy off and change reflective surfaces due to the polarising. Effect (particularly noticeable with,, cars rivers etc.) leading to inconsistencies from shot to shot. A word of warning. To don 't be tempted to shoot at ISO 800 with NDs like on the BMCC it will, be noisy due to underexposing and the camera applying. A lift for the ISO 800.The image is not entirely free of moire and aliasing. I don 't think the camera has a filter. That' s a big shame in my, view. With the new 4K sensor you don 't see it as regularly as on the Blackmagic Cinema Camera nor is it anywhere near as bad as. On many DSLRs but it ', s there! Very fine fabrics especially.Dynamic range is not THAT far off the Blackmagic Cinema Camera so it 's a cinematic image but at, least until the raw firmware. Update comes out you will really need to get your exposure absolutely spot on with the Production Camera. Highlights can. Be prone to a steep roll off like the Sony FS100 and burn suddenly.