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At times Besson tries escaping from the straitjacket of stasis. He works. Artfully to stir kinetic tension in confined spaces his camera, prowling Suu Kyi ', s Compound gliding in for a closeup of. Yeoh ', s stalwart beauty while composer Eric Serra cocoons the story in his lovely or assonant but always sumptuous, score. There 's little, forward movementHowever in Rebecca, Frayn ', s well-researched necessarily repetitive script. Over and over Suu Kyi, and Michael pledge their. Mutual ardor - Yeoh and Thewlis surely kiss and say "I love you." more times here than in the rest of their respective film. Careers combined - as they wait for a reprieve from the junta and in a, more, personal poignancy remain separated through. Michael 's cancer siege.
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