Untitled (2014) – Oil painting by M

Untitled (2014) – Oil painting by Martin Wittfooth
So after school I tinkered around for a while and despite some flirtations with perhaps quicker mediums, which made sense to try and apply to illustration jobs with short turnarounds, I started working on a personal series, all in oils. Eventually I submitted some of this work to La Luz de Jesus’s annual group show, Everything But the Kitschen Sync, and got two pieces in. This was a huge game changer for me, to be honest. My very first time having my work in a gallery, and in Los Angeles of all places! I thought a kind of new avenue opened up, that maybe I should try and go down it for a while and see what might be discovered. Right around this time, I got accepted into the MFA program in illustration at the School of Visual Arts in New York, and during the two years in that program I had a chance to really start exploring oils as a medium, and [to go] deeper into personal ideas and ruminations that I hoped to somehow be able to start discussing via the medium. I met and learned from some great instructors, and in the time I’ve lived here (for the past decade), I’ve met a host of very talented artists as well, and my interactions with all of these people have had a tremendous influence on my work, and my thoughts in general.

ผลลัพธ์ (อังกฤษ) 2:

Untitled (2014th) - Oil Painting by Martin Wittfooth
So after school I tinkered Around for a while and Despite Some flirtations with perhaps quicker mediums, which Made Sense to TRY and Apply to illustration jobs with short Turnarounds, I started working on a Personal Series,. all in oils. Eventually I submitted some of this work to La Luz de Jesus's annual group show, Everything But the Kitschen Sync, and got two pieces in. This was a huge game changer for me, to be honest. My very first time having my work in a gallery, and in Los Angeles of all places! I thought a kind of new avenue opened up, that maybe I should try and go down it for a while and see what might be discovered. Right around this time, I got accepted into the MFA program in illustration at the School of Visual Arts in New York, and during the two years in that program I had a chance to really start exploring oils as a medium, and [to go]. deeper into personal ideas and ruminations that I hoped to somehow be able to start discussing via the medium. I met and learned from some great instructors, and in the time I've lived here (for the past decade), I've met a host of very talented artists as well, and my interactions with all of these people have had a tremendous. influence on my work, and my thoughts in general.