Phantom-Limb1997C-print148 x 111 cm

Phantom-Limb
1997
C-print
148 x 111 cm (each, set of 5)
Collection: Takahashi Collection, Tokyo
Photo: Kunimori Masakazu
Photo Courtesy: YAMAMOTO GENDAI, Tokyo

SP2: New Born (Viper A)
2007
Mixed media
67 x 28 x 18 cm
Private collection
Photo: Kioku Keizo
Photo Courtesy: YAMAMOTO GENDAI, Tokyo

Hollow: Duplex
2009
FRP, wrethane paint, mixed media
204 x 69 x 64 cm (Left)
206 x 75 x 63 cm (Right)
Collection of the artist
Photo: Kioku Keizo
Work created with the support of Foundation d'entreprise Hermès
Photo Courtesy: YAMAMOTO GENDAI, Tokyo
Since studying sculpture at Tokyo University of the Arts, Odani Motohiko has created a body of work using diverse techniques and materials that undermines the conventional notions of sculpture. His unique style of expression and aesthetic sense have won him acclaim both in Japan and abroad, and in 2003 he was selected as one of the artists to represent Japan at the Venice Biennale.

Odani's works on the themes of physical sensations and psychological states, such as pain and fear, awaken latent thoughts and emotions in their viewers. A dress made of hair, an animal in a restraining device, a mysterious young girl, a samurai's wraith-like emaciated horse: The complex images in the works defy single interpretations and possess an ominous charm that exists somewhere between beauty and ugliness, life and death and the spiritual and the secular. Odani, who possesses a keenly critical understanding of sculpture, has resisted (or taken advantage of) the medium's conventional image of weightiness or substance. Instead, he has given physical representation to “phantoms” - entirely ephemeral sensations or amorphous phenomena. In this exhibition, we explore the essence of Odani's art, bringing together works from early in his 10-year career to the present. Also included are a large interactive installation - a kind of “video sculpture” - and new works exploring natural forces such as gravity and rotation. With Odani's artworks transcending the conventional idea of sculpture and seeking to give visual representation to existence itself, this exhibition pursues new possibilities for artistic expression.

ผลลัพธ์ (อังกฤษ) 2:

Phantom-Limb
one thousand nine hundred ninety-seven
C-Print
148 x 111 cm (each, SET of 5)
Collection: Takahashi Collection, Tokyo
Photo: Kunimori Masakazu
Photo Courtesy: YAMAMOTO gendai, Tokyo SP2: New Born (Viper A) two thousand and seven Mixed Media 67 x 28 x. 18 cm Private Collection Photo: Kioku Keizo Photo Courtesy: YAMAMOTO gendai, Tokyo Hollow: Duplex 2009th FRP, Wrethane Paint, Mixed Media 204 x 69 x 64 cm (Left) 206 x 75 x 63 cm (Right) Collection of the Artist Photo:. Kioku Keizo Work Foundation d'Entreprise Created with the Support of Hermès Photo Courtesy: YAMAMOTO gendai, Tokyo Since studying sculpture at Tokyo University of the Arts, Odani Motohiko has a Body of Work Created using diverse techniques and Materials that undermines the conventional notions of sculpture. . His Unique style of Expression and Aesthetic Sense have won Him acclaim both in Japan and Abroad, and in 2 003 He was Selected As one of the Artists to represent Japan at the Venice Biennale. Odani's works on the themes of physical sensations and Psychological States, such. as pain and fear, awaken latent thoughts and emotions in their viewers. A dress made ​​of hair, an animal in a restraining device, a mysterious young girl, a samurai's wraith-like emaciated horse: The complex images in the works defy single interpretations and possess an ominous charm that exists somewhere between beauty and ugliness, life and. death and the spiritual and the secular. Odani, who possesses a keenly critical understanding of sculpture, has resisted (or taken advantage of) the medium's conventional image of weightiness or substance. Instead, he has given physical representation to "phantoms" - entirely ephemeral sensations or amorphous phenomena. In this exhibition, we explore the essence of Odani's art, bringing together works from early in his 10-year career to the present. Also included are a large interactive installation - a kind of "video sculpture" - and new works exploring natural forces such as gravity and rotation. With Odani's artworks transcending the conventional idea of sculpture and seeking to give visual representation to existence itself, this exhibition pursues new possibilities for artistic expression.

ผลลัพธ์ (อังกฤษ) 3:

Phantom-Limb 1997 C-print 148 x 111 cm (each set of, 5)
Collection: Takahashi, Collection Tokyo
Photo: Kunimori Masakazu
Photo. Courtesy: YAMAMOTO, GENDAI Tokyo

SP2: New Born (Viper A)


2007 Mixed media 67 x 28 x 18 cm

Private collection Photo: Kioku. Keizo
Photo Courtesy: YAMAMOTO, GENDAI Tokyo

Hollow: Duplex

FRP wrethane, 2009, paint mixed media
204 x 69 x 64 cm (Left)
.206 x 75 x 63 cm (Right)
Collection of the artist
Photo: Kioku Keizo
Work created with the support of Foundation D entreprise. ' Herm de s
Photo Courtesy: YAMAMOTO, GENDAI Tokyo
Since studying sculpture at Tokyo University of the Arts Odani Motohiko, has. Created a body of work using diverse techniques and materials that undermines the conventional notions of sculpture.His unique style of expression and aesthetic sense have won him acclaim both in Japan, and abroad and in 2003 he was selected. As one of the artists to represent Japan at the Venice Biennale.

Odani 's works on the themes of physical sensations and. Psychological states such as, pain, and fear awaken latent thoughts and emotions in their viewers. A dress made, of hairAn animal in a, restraining device a mysterious young girl a, samurai 's wraith-like emaciated horse: The complex images. In the works defy single interpretations and possess an ominous charm that exists somewhere between beauty, and ugliness. Life and death and the spiritual and the secular. Odani who possesses, a keenly critical understanding, of sculptureHas resisted (or taken advantage of) the medium 's conventional image of weightiness or substance. Instead he has, given. Physical representation to "phantoms" - entirely ephemeral sensations or amorphous phenomena. In this exhibition we explore,, The essence of Odani 's art bringing together, works from early in his 10-year career to the present.Also included are a large interactive installation - a kind of "video sculpture" - and new works exploring natural forces. Such as gravity and rotation. With Odani 's artworks transcending the conventional idea of sculpture and seeking to give. Visual representation to existence itself this exhibition, pursues new possibilities for artistic expression.