from this viewpoint, contemporary Hollywood cinema can be read as a contest of representation and a contested terrain that produces existing social struggles and transcode the political discourses of the era. I use the term trancode to describe how specific political discourses like Reaganism or liberalism are translated. , or encode into media text.Forexample, Easy Rider (1963) and Woodstock (1970) trancode the discourses of the 1960s counterculture into cinematic texts in image, sound dialogue, scene, and narrative.Film like Red Dawn (1984) and Rambo (. 1984) transcode the conservative discourses of Reaganism (see Kellner and Ryan 1988), while Syriana (2005) transcode mistust in the Bush-Cheney era of government, big oil corporation, and corporate power, and Michael Clayton transcodes fears of corporate corruption and wrong. - doing
this perspective, the Hollywood film contemporary can read the contest and contest terrain contributes to the social struggle that exists and convert the political discourse of the period did I say trancode how political discourse only. reaganism or as a liberal translation or encrypt messages in the media, such as Easy Rider (1963) and Woodstock (1970) trancode discourse of 1960s cinema in the cultural scene, text, images, sound, dialogue and narrative. Films like red dawn (1984), Rambo (1984) and converted discourse conservative reaganism (see Kelly Weiner and Ryan 1988), while Syria's (2005) converted mistust Bush Cheney era of government companies. big oil And corporate power, and Michael Clayton, the fear of corporate fraud and abuse - do.
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