from this viewpoint, contemporary Hollywood cinema can be read as a contest of representation and a contested terrain that produces existing social struggles and transcode the political discourses of the era. I use the term trancode to describe how specific political discourses like Reaganism or liberalism are translated, or encode into media text.Forexample, Easy Rider(1963) and Woodstock(1970) trancode the discourses of the 1960s counterculture into cinematic texts in image,sound dialogue, scene,and narrative.Film like Red Dawn (1984) and Rambo (1984) transcode the conservative discourses of Reaganism (see Kellner and Ryan 1988),while Syriana(2005)transcode mistust in the Bush-Cheney era of government, big oil corporation,and corporate power, and Michael Clayton transcodes fears of corporate corruption and wrong- doingFrom this perspective, the contemporary Hollywood leather can read and display contest contest terrain causing existing social struggle and transform the political discourse of the era. I use the word trancode explains how political discourse, such as reaganism or liberal are translated or encoded in a media text, such as easy rider (1963) and Woodstock (1970), the 1960 's discourse in the trancode cinema in text, pictures, sounds, culture, dialogue scenes and narrative film like red Dawn (1984), Rambo (1984) and convert the discourse of popular kamanurak reaganism (see khlenoe and Ryan, 1988), while Syria na. (2005) mistust conversion in the Bush Cheney era of Government. The big oil companies and the Organization's powers and Michael Clayton. Set the fear of corporate fraud and error; -Do.
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