from this viewpoint, contemporary H

from this viewpoint, contemporary Hollywood cinema can be read as a contest of representation and a contested terrain that produces existing social struggles and transcode the political discourses of the era. liberalism For example, Easy Rider(1963) and Woodstock(1970) trancode the discourses of the 1960s counterculture into cinematic texts in image,sound dialogue, scene,and narrative.Film like Red Dawn (1984) and Rambo (1984) transcode the conservative discourses of Reaganism (see Kellner and Ryan 1988),while Syriana(2005)transcode mistrust in the Bush-Cheney era of government, big oil corporation,and corporate power, and Michael Clayton transcodes fears of corporate corruption and wrong- doing


ตัวอย่างเช่น Easy Rider (1963) และสต๊อค (1970) trancode วาทกรรมของวัฒนธรรมปี 1960 ลงในตำราโรงภาพยนตร์ในภาพบทสนทนาเสียงฉากและ และเล่าเรื่อง รุ่งอรุณเช่นสีแดง (1984) และแรมโบ้ (1984) แปลงอนุรักษ์นิยม วาทกรรมของ Reaganism (ดู Kellner และไรอัน 1988) ในขณะที่ Syriana (2005) แปลงความไม่ไว้วางใจในยุคบุชเชนีย์ของรัฐบาล บริษัท น้ำมันขนาดใหญ่และอำนาจขององค์กรและไมเคิลเคลย์ตัน transcodes ความกลัวของการทุจริตขององค์กรและ wrong- ทำ

ผลลัพธ์ (อังกฤษ) 1:

from this viewpoint, contemporary Hollywood cinema can be read as a contest of representation and a contested terrain that produces existing social struggles and transcode the political discourses of the era. liberalism For example, Easy Rider(1963) and Woodstock(1970) trancode the discourses of the 1960s counterculture into cinematic texts in image,sound dialogue, scene,and narrative.Film like Red Dawn (1984) and Rambo (1984) transcode the conservative discourses of Reaganism (see Kellner and Ryan 1988),while Syriana(2005)transcode mistrust in the Bush-Cheney era of government, big oil corporation,and corporate power, and Michael Clayton transcodes fears of corporate corruption and wrong- doingFor example, Easy Rider (1963) and Woodstock (1970), the discourse of the 1960s culture trancode into textbooks in cinema sound, images and scenes, dialogue and narrative. Like red Dawn (1984) and Rambo (1984) plaengonurak popular discourse of Reaganism (see Kellner and Ryan, 1988), Syriana (2005) convert a mistrust in the Government's modern lining Sydney era. The large oil companies and the power of the enterprise, and khoenkhle tons of fraud fears transcodes organization and wrong-doing.

ผลลัพธ์ (อังกฤษ) 2:

from this viewpoint, contemporary Hollywood cinema can be read as a contest of representation and a contested terrain that produces existing social struggles and transcode the political discourses of the era. liberalism For example, Easy Rider (1963) and Woodstock (1970) trancode the discourses. of the 1960s counterculture into cinematic texts in image, sound dialogue, scene, and narrative.Film like Red Dawn (1984) and Rambo (1984) transcode the conservative discourses of Reaganism (see Kellner and Ryan 1988), while Syriana (2005) transcode. mistrust in the Bush-Cheney era of government, big oil corporation, and corporate power, and Michael Clayton transcodes fears of corporate corruption and wrong- doing


, for example, Easy Rider (1963) and Woodstock (1970) trancode discourse of cultures. 1960 texts into theaters in the dialogue scenes and sounds. And storytelling Dawn, as the Red (1984) and Rambo (1984) transformed the Conservative discourse of Reaganism (See Kellner and Ryan, 1988), while Syriana (2005) to distrust the Bush-Cheney government company. big oil and corporate power, and Michael Clayton transcodes the fear of corporate fraud and wrong- doing.

ผลลัพธ์ (อังกฤษ) 3:

From this viewpoint contemporary Hollywood, cinema can be read as a contest of representation and a contested terrain that. Produces existing social struggles and transcode the political discourses of the era. Liberalism, For example Easy Rider (1963). And Woodstock (1970) trancode the discourses of the 1960s counterculture into cinematic texts in image sound dialogue scene and,,,, Narrative.Film like Red Dawn (1984) and Rambo (1984) transcode the conservative discourses of Reaganism (see Kellner and. Ryan 1988), while Syriana (2005) transcode mistrust in the Bush-Cheney era of government big Oil Corporation and corporate,,, Power and Michael, Clayton transcodes fears of corporate corruption and wrong - doing.For example, Easy Rider (1963) and stock (1970) trancode discourse of culture year 1960 into the movie theaters in the บทสนทนาเสียง scene. And the story, such as red dawn (1984) and Rambo (1984) convert conservative. The discourse of Reaganism (see Kellner Ryan and 1988). While Syriana (2005) convert mistrust in the Bush Chaney of government oil companies large and power of organization and Michael Clayton. Transcodes fear of corruption of the organization and wrong - do.