MethodMaterialsWe borrowed the face and body stimuli from Aviezer et al. (2012a). The facesconsisted of 10 Caucasian men posing prototypical facial expressions of disgust andsadness for a total of 20 stimuli. The bodies consisted of four headless menconveying either disgust, sadness, anger, or fear through their stance, gesture, andsurroundings digitally added to the images (e.g., a gravestone for sadness). Theprevious work using these stimuli validated the recognizability of the emotions(Aviezer et al. 2008). Each face appeared with each body for a total of 80 uniquecombinations. In addition, the faces were oriented to the bodies so as to appeareither aligned (face ostensibly attached to the body) or misaligned (face and bodyspatially separated). To generate naturalistic face-body composites, each faceappeared proportionally positioned on the body in the aligned condition. To providea clear separation between the face and body, the face appeared horizontally
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