Chronic remorse, as all the moralists are agreed, is almost undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.
Art also has its morality, and many of the rules of this morality are the same as, or at least analogous to, the rules of ordinary ethics. Remorse, for example is as undesirable in relation to our bad art as it is in relation to our bad behavior. The badness should be hunted out, acknowledged and, if possible, avoided in the future. To pore over the literary shortcomings of twenty years ago, to attempt to patch a faulty work into the perfection it missed at its first execution, to spend one's middle age in trying to mend the artistic sins committed and bequeathed by that different person who was oneself in youth--all this is surely vain and futile. And that is why this new Brave New World is the same as the old one. Its defects as a work of art are considerable; but in order to correct them I should have to rewrite the book--and in the process of rewriting, as an older, other person, I should probably get rid not only of some of the faults of the story, but also of such merits as it originally possessed. And so, resisting the temptation to wallow in artistic remorse, I prefer to leave both well and ill alone and to think about something else.
chronic remorse, as all the moralists are agreed, is almost undesirable sentiment. if you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. on no account brood over your wrongdoing. rolling in the muck is not the best way of getting clean.
art also has its morality, and many of the rules of this morality are the same as,.or at least analogous to, the rules of ordinary ethics. remorse, for example is as undesirable in relation to our bad art as it is in relation to our bad behavior. the badness should be hunted out, acknowledged and, if possible, avoided in the future. to pore over the literary shortcomings of twenty years ago,.to attempt to patch a faulty work into the perfection it missed at its first execution, to spend one's middle age in trying to mend the artistic sins committed and bequeathed by that different person who was oneself in youth - all this is surely vain and futile. . and that is why this new brave new world is the same as the old one. its defects as a work of art are considerable;but in order to correct them i should have to rewrite the book - and in the process of rewriting, as an older, other person, i should probably get rid not only of some of the faults of the story, but also of such merits. as it originally possessed. and so, resisting the temptation to wallow in artistic remorse, i prefer to leave both well and ill alone and to think about something else.
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Chronic remorse, as all the moralists are agreed, is almost undesirable sentiment. If you have behaved badly, repent, make what amends you can and address yourself to the task of behaving better next time. On no account brood over your wrongdoing. Rolling in the muck is not the best way of getting clean.
Art also has its morality, and many of the rules of this morality are the same as, or at least analogous to, the rules of ordinary ethics. Remorse, for example is as undesirable in relation to our bad art as it is in relation to our bad behavior. The badness should be hunted out, acknowledged and, if possible, avoided in the future. To pore over the literary shortcomings of twenty years ago, to attempt to patch a faulty work into the perfection it missed at its first execution, to spend one's middle age in trying to mend the artistic sins committed and bequeathed by that different person who was oneself in youth--all this is surely vain and futile. And that is why this new Brave New World is the same as the old one. Its defects as a work of art are considerable; but in order to correct them I should have to rewrite the book--and in the process of rewriting, as an older, other person, I should probably get rid not only of some of the faults of the story, but also of such merits as it originally possessed. And so, resisting the temptation to wallow in artistic remorse, I prefer to leave both well and ill alone and to think about something else.
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Chronic remorse, as all the moralists are agreed, is almost undesirable sentiment. If you have behaved badly, repent, make amends what you can and address yourself to the task of behaving better next time.On no account brood over your wrongdoing.Rolling in the muck is not the best way of getting clean.
Art also has its morality, and many of the rules of morality are the same as this,or at least analogous to, the ordinary rules of ethics. Remorse, for example as is undesirable in relation to our bad art as it is in relation to our bad behavior.The badness should be hunted out, acknowledged and, if possible, avoided in the future. To pore over the literary shortcomings of twenty years ago,to attempt to patch into a faulty work at the perfection it missed its first execution, to spend one's middle age in trying to mend the artistic sins committed and that different person who was bequeathed by oneself in youth - all this is surely futile and vain. that is why this new And Brave New World is the same as the old one. Its defects as a work of art are considerable;but in order to correct them I should have to rewrite THE book - and in the process of rewriting, as an older, other person, I should probably not only get rid of some of the faults of the story, but also of such merits as it originally possessed. And so, resisting the temptation to wallow in remorse artistic, I prefer to leave alone and both well and ill to think about something else.
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